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About the Author
Maria Cristina Bandera is Director of the Fondazione di Studi di Storia dell’Arte Roberto Longhi a Firenze. Renato Miracco is the Director of the Italian Cultural Institute in New York. Janet Abramowicz was a Senior Lecturer for twenty years in the Department of Fine Arts at Harvard University. Flavio Fergonzi is a Professor of Contemporary Art History at the University of Udine. Maria Mimita Lamberti is a Professor of Contemporary Art History at the University of Torino. Neville Rowley is currently doing a PhD at the Sorbonne, where he taught for three years. Lorenza Selleri is Curator at the Museo Morandi, Bologna.
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Product details
Hardcover: 366 pages
Publisher: Skira (September 16, 2008)
Language: English
ISBN-10: 8861307167
ISBN-13: 978-8861307162
Product Dimensions:
9.7 x 1.4 x 11.2 inches
Shipping Weight: 5.3 pounds (View shipping rates and policies)
Average Customer Review:
4.5 out of 5 stars
16 customer reviews
Amazon Best Sellers Rank:
#65,774 in Books (See Top 100 in Books)
This is the catalogue for the current Morandi exhibition at the Met in NYC. It basically follows a strict chronology after two introductory essays, one attempting a reassessment of the artist's oeuvre in the light of the many studies that have been carried out in recent years and of his influence on contemporary art (no longer limited to abstraction)and the other dwelling on the visual sources that inspired the painter (Cézanne obviously, but also the Douanier Rousseau, Corot, Chardin to name but a few). These two essays are particularly interesting in that they provide in-depth information on the technique and working process of the artist and also on the somewhat paradoxical recognition of Morandi as a great master in the 1950's, at a time when abstraction was the dominant trend.The book is then divided into five distinct periods, first displaying wonderful commented illustrations of the works pertaining to each period, and then followed by various essays (on the debatable influence of Piero della Francesca, on Morandi's etchings, on the critical reception and the market in Europe and the Americas, on debunking the myth of a reclused closed-off artist, on Morandi's famous saying that "nothing is more abstract than reality"). The book ends with a short text by Umberto Eco describing his discovery of Morandi's art, followed by transcripts of interviews of the artist.This is probably the best artbook I have ordered this year (and I have ordered many!). The text is riveting, the illustrations (more than a hundred still-lifes and a dozen landscapes, all in full color) could not be better and some close-ups even give you the impression of holding the actual painting in your own hands (when I go through my library of some 800 artbooks, I have to disagree with the other reviewer of this book: the illustrations are outstanding).Highly recommended.
Great images and a thorough exploration of his work.
Great book. Unusual as you can really see the surface textures in the paintings. As a painter I found it very helpful.
This is big, comprehensive book with a really satisfying number of pictures. Some show Morandi's work next to those by artists who influenced him, which is interesting. There are several long essays that most people will probably not get through. Worth the price anyhow.
I happen to have loved this artist's work for a long time and have collected many books about him. Thia is an excellent treatise which makes me even more excited to visit the Phillips Collection in the Spring (2009) to see more of his work.
on time and as expected
This is undoubtedly the best review of Morandi and his work written in English. Spectacular reproductions of the most important museum show ever assembled on this artist. Outstanding commentary by the leading Morandi experts.
I bought the same book in Morandi's Museum in Bologna and the quality was perfect! So I decided to order another one here for my friend. Quality is not perfect but acceptable, colors are different. I suggest every fan of Giorgio Morandi to go to his museum in Bologna, because there is no book that can represent all fullness of color cominations of his original works.
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